You have searched for all events and Category - "Theatre" and the result is 20 out of 42
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Ayer Di-Tetak Takleh Putus
This Wayang Peranakan gives insights as to the kind of lives the Peranakan led, post World War II. Most Peranakans lost their men as the Japanese were wary of them being spies for the British since many were English educated. The women were left to fend for themselves and became heads of their respective households.Bibik Besair, Bibik Tengah and Bibik Bongso are sisters, the latter being the child of the second wife.The three of them grew up in the same household, hence they are very close.The songs, incidents, decisions truly reflect the Peranakan way of life during the 50s to the 60s.Bibik Besair has only one son, Khoo Hock Seng, who is married to Helen Sim, a Teochew lady, who graduated from a University in London. Bibik Besair was widowed early and brought her son up all by herself. Hock Seng is a very filial son. When he married Helen, he is torn between his wife and his mother as Helen does not get along with her mother-in-law. Bibik Tengah also had only one son. Both her son and daughter-in-law died in an accident. The dead couple left behind their only son, Tan Poh Chye, who is dim-witted. As he is the only decendant of Bibik Tengah she dotes on him.Bibik Bongsu, is a widow. She is childless and is happy having inherited large sums from her dead husbands.The three of them face various problems daily, relying on each other for comfort and treating each other as soulmates. Ultimately they realised through their adversities that blood is thicker than water.
BEATS ON POINTE
Direct from Australia and as part of its World Tour in 2019/20, Beats On Pointe is back to entertain audiences with its high energy and feel-good family show.BEATS ON POINTE features a highly talented cast of dance athletes, with the tightly choreographed show anchoring a dynamic modern story of two opposing dance worlds peppered with captivating dance theatre, freestyle acts, singing, moments of well-timed comedy and a killer soundtrack! Produced by Masters of Choreography this show fuses electrifying street dance and classical ballet to create the perfect entertainment for audiences of all ages. ''The show itself is an action-packed roller coaster of old and new school street dance, classical and contemporary ballet, physical comedy, beat boxing and even some singing! To call this a 'dance show' is to sell it short - this piece is a theatrical extravaganza'' (Matt McFarlane - aussietheatre.com)“With high energy, innovative choreography this show lets the audience see a different side to what we typically call ‘hip-hop’ and ‘ballet’. It truly mixes the dance styles and with it creates a fun-fuelled, family friendly show that will inspire even the harshest dance critic.” (musicalmanda.site)“A high octane display of fantastic dancing by a very well drilled troupe” (The Audience Club)“Aside from near impeccable technique, formation and stage presence, this production had a killer soundtrack, too.” (The Adelaidian - theadelaidian.net)With a magnificent blend of classic and commercial music plus a wonderful cast of multi-talented performers, this show continues to dazzle with cutting-edge entertainment. Don’t miss your chance to see one of Australia’s hottest dance theatre productions!
Being: Glad That I Live
Have any of you given a thought to how much of the world is being taken over by artificial intelligence? What would the world look like if we were governed by a universal operating system that controlled everything we did, and determined who we ended up being? Set in the distant future, this production follows the explorations of RMO4N4 as she seeks out a musical refrain that arises from deep within, to discover who she truly is, and learning what she is made of. And it all starts when she plucks her courage to take a chance on some (innocently) dodgey confectionary.Being Glad that I Live is the opening concert of the school’s 120th anniversary held in conjunction with the Singapore Bicentennial. Celebrating the collaboration and talents of SCGS students, staff and alumnae, this whimsical, fantastical reimagining of an old tale is told with a distinctive SCGS flair. Come, journey with us!
Cantonese Comedy Adventure Rating...
香港顶级喜剧演员Vivek Mahbubani 和陈乐添与您共度粤语搞笑时分，让您爆笑过新年！ 这两位《廣東話棟篤笑》的演员联合献上最原汁原味的粤语笑话。该节目于2017年在香港巡回演出，并在墨尔本国际喜剧节、澳门城市艺穗节和香港爆笑节大放异彩，获得商业赞誉。 作为一个在香港长大的印度人，发生在Vivek Mahbubani身上独特的文化冲突成就了他喜剧黄金的童年。作为2007和2008年香港最逗笑人物，Vivek的巡回演出多不胜举，包括参加2017年香港爆笑节。在香港出生长大的陈乐添是2011年香港国际喜剧比赛冠军，此后人气飙升，参与多次在亚洲的重磅巡回演出。 两个有趣的人，一场妙语连珠的喜剧盛宴，绝对不容错过！
Cash on Delivery
Cash on Delivery - a fast paced British farce relocated to the Nineties in London. Within the confines of the welfare state, a young married man has cheated the system for years by claiming every kind of benefit for numerous people he pretends are staying at his address. He is forced to try to cover up his misdeeds when a welfare investigator shows up and he must try to prove that all his "lodgers" are in fact real people. A hilarious comedy full of mistaken identities, slamming doors and a con trick that spirals out of control - with a happy ending! This is the Stage Club's first showing for 2019, directed by Nick Perry with a diverse cast and production team. As Singapore's oldest theatre company, we are proud to continue the work of creating engaging productions with a hugely diverse cast and crew. Come and enjoy a night out at the theatre with friends and family - you may end up onstage with us one day! (For details regarding sign-ups and membership, please visit our Facebook Page).
Children Drama "Tadpole Looking For...
Children Drama ''Kiki and her Magic...
ELMER THE PATCHWORK ELEPHANT SHOW
Based on the classic children's book series by David McKee, that celebrate its 30th Birthday in 2019, Elmer the Patchwork Elephant Show, is a celebration of individuality and the power of laughter!Elephants, as everyone knows, are big, have trunks, and are grey. But Elmer is a patchwork of brilliant colours! His fun-loving and cheerful personality keeps everyone in a playful mood, until the day he gets tired of being different and tries to blend in with the herd.Elmer The Patchwork Elephant Show, features a menagerie of 21 loveable puppets, tells thetale of an elephant that stands out – both with his patchwork-coloured skin and his sense of humour – but ultimately realizing that his friends have always valued his unique characteristics.The show's subtle message that it is always best to be yourself, combined with the vibrant colour and cheeky humour of the main character, makes Elmer a great show for children of all ages.
FAUST / US 浮世 / 德
A bold exploration of an acclaimed German classic, retold in a contemporary setting.A journey that transforms her life from the ordinary to the extraordinary, getting everything she has always wanted. Well, almost everything…A brilliant but frustrated academic, Faust has achieved all that she can with her knowledge. Dissatisfied with what she has, she yearns for more in her life. One day she is visited by an unexpected visitor, Mephistopheles, who is full of surprises. Mephistopheles makes a deal with her; spend the rest of her life with him, as he shows her a lifetime of everything she desires, in exchange for her soul in the beyond. Driven by the freedom that awaits her outside of her dusty study, she agrees to the deal and is whisked away into a supernatural life of magic, thrill and adventure. After journeying through a lifetime chasing after ambition, love and desire, will she ever find what she is looking for?The first time a Nine Years Theatre’s production is helmed by a next-generation director. Introducing Cherilyn Woo, our Associate Director, who re-imagines a female Faust in this famous classic tale.To know more about the production, please visit http://www.nineyearstheatre.com/en/faustus.php
Friend of Practice Programme
Be a Friend of Practice, Be a Part of Singapore TheatreFor more information, please visit http://www.practice.org.sg/en/supportus/be-a-donor/The Theatre Practice (TTP) is the longest-standing professional bilingual theatre group in Singapore. In 1965, theatre doyen Kuo Pao Kun and dancer/choreographer Goh Lay Kuan founded Singapore Performing Arts School, The Theatre Practice’s earliest incarnation.As a non-profit arts institution, The Theatre Practice is proud to have countless friends and partners who journeyed with us along the way for more than five decades, sharing our passion for meaningful and quality theatre.It is only with your generous support that we are able to forge ahead with the greatest confidence. Your contribution, big or small, will definitely make a difference.And through our Friend of Practice programme, we intend to recognise your donation in a more meaningful way!For more information, please write to email@example.com.
Huayi 华艺节 2019 Dear John 凯吉一岁 M.O...
“The piano instrument, the spatial installation, the body of the musician, and the body of the dancer altogether created a brand new artistic circuit. This is not a simple piece of interdisciplinary collaboration; this is a project that confronts all existing paradigms and explores new horizons of art.”– Lin Yu Pin, art critic, Taishin Arts Award"When I was introduced to Oskar Fischinger, he began to talk with me about the spirit which is inside each of the objects of this world. So, he told me, all we need to do to liberate that spirit is to brush past the object, and to draw forth its sound…Many years since then, I never stopped touching things, making them sound and resound, to discover what sounds they could produce. Wherever I went, I always listened to objects."– John Cage, 1968 Stop, listen, feel. Can the sounds around you be felt? Can the objects around you be heard?Inspired by the philosophy of avant-garde American musician John Cage, Taiwan’s M.O.V.E. Theatre presents Dear John, an innovative and interdisciplinary production involving dance, lighting effects, technology, audience participation, as well as sound.Dear John depicts a sound journey that begins with a “deconstructed piano” and fully reveals the process of making sound. Redefining the interpretation of performing arts and the physicality of sound, and challenging the power-relation between performers and audiences, the exploratory Dear John was one of the five works that was awarded the 2014 Taishin Arts Awards—the only award in Taiwan that acknowledges creative achievements in works of visual, performing and inter-disciplinary arts.With the performance venue turned into a playful sound lab, this performance piece weaves sound, light and movement to create a unique ambient soundscape that encourages audience members to explore the space, and even become soundmakers themselves, becoming an indispensable and unpredictable part of the experience.
Huayi 华艺节 2019 FOUR FOUR EIGHT 四四八...
“Built to be lonelyto love the absent.Find meFree mefrom thiscorrosive doubtfutile despairhorror in repose.I can fill my spacefill my timebut nothing can fill this void in my heart.”– Sarah Kane, 4.48 PsychosisHow can one survive and love in a broken world? How do we get along with ourselves?Inspired by British playwright Sarah Kane’s last work 4.48 Psychosis, Young Artist Award recipient Liu Xiaoyi presents FOUR FOUR EIGHT, a brand-new work that leads you into a world, a social construct, where every audience member becomes a participant in a space of gathering and camaraderie; in a place of urban loneliness – the bar.Taking place in an actual bar, the perceptions of individual audience members are challenged the moment when one enters the performance environment. Taking in the sights and sounds, each person becomes aware of the presence of self, others, the space, and various activities in the venue. The experience is an individual realisation, and is up to you to create and dictate.Singapore theatre company Emergency Stairs has earned a reputation for boundary-pushing works that generate much discourse among its audiences. Following Offending the Audience in 2017, and Einstein in the Carpark in 2018, FOUR FOUR EIGHT is the third instalment of the company’s Post-Dramatic Series. With FOUR FOUR EIGHT, together with award-winning artists lighting designer Lim Woan Wen and sound artist Darren Ng, Liu continues to explore the possibilities of, and challenge the limitations of what constitutes a theatre space."Please open the curtains." She said. This performance begins long before you step into the bar. Small, deliberate moments will connect you with the artist and his inner world. Through emails and other ephemeral social interactions, you will be drawn into the artist’s processes of creation—the impulses, the loneliness, the struggles, and the triumphs... and we invite you to be part of the creation process.Please write to firstname.lastname@example.org with “I want to open the curtains” to get connected, and do remember to attach an image of your ticket.
Huayi 华艺节 2019 Love Letters 情信 The...
“…this is just me, me the way I write, the way I want to be to you…and you can tear me up and throw me out, or keep me, and read me today, tomorrow, any time you want until you die.”Could the love of your life be just a letter away? Can writing a lifetime’s worth of letters make you fall in love with someone whom you always thought of as just a friend?At age seven, Andrew penned his first letter to Melissa, telling her she looked like a lost princess. She wrote back to tell him to stop writing to her, and he was entranced. For the next 50 years, through hurt and disappointments, triumphs and failures, wars and marriages (to other people), they poured their hearts out to each other in their written exchanges, becoming each other’s closest confidantes.Presented in Singapore for the first time in Mandarin and Cantonese, experience romance the old-fashioned way as Love Letters explores the love and loss shared between a pair of childhood friends. Each heartrending performance features a different pair of actors—Hong Kong theatre practitioners Rensen Chan and Jo Ngai (who last moved audiences at Huayi 2015 with Travel with Mum), as well as Nelson Chia and Mia Chee of Singapore’s Nine Years Theatre.Written in 1988 by American playwright A. R. Gurney, Love Letters was a finalist for the Pulitzer Prize for Drama, and has since been restaged countless times and adapted into Mandarin, Urdu and Russian.
Huayi 华艺节 2019 That Which Cannot B...
Prime numbers—random, unpredictable and aimless. Or are they?That Which Cannot Be Divided is an Esplanade commissioned dance presentation that explores the mystery of prime numbers and their relation to life. Featuring two former members of Taiwan’s distinguished Cloud Gate Dance Theatre—renowned choreographers Bulareyaung Pagarlava from Taiwan and Albert Tiong from Singapore— the dance double-bill showcases two diverse works full of boundless possibilities.At first glance, the distribution of prime numbers may seem aimless and haphazard. However, on closer look, the way prime numbers are distributed could be guided by patterns and structured by theories. Is this a reflection of the world we live in? Amidst chaos, we constantly seek clarity, show resilience, and pursue harmony and contentment. Similarly, in the language of dance, one often finds resolution in chaos.About Bulareyaung PagarlavaBulareyaung Pagarlava is from the Paiwan tribe of Eastern Taiwan. During the last two decades, Bulareyaung has been invited on numerous occasions to choreograph and perform for various contemporary dance companies both in Taiwan and internationally. However, his increasing awareness of his Paiwani identity has led him towards a new path, focusing on his own native heritage and working with talented young dancers to explore the complex notions between voice and movements, creating unique expressions of indigenous contemporary dance. Bulareyaung Dance Company was founded in August 2014.About Albert TiongAlbert Tiong is a well-known Singaporean choreographer and educator in contemporary dance. He has created works and trained generations of dancers for Frontier Danceland, Nanyang Academy of Fine Arts, LASALLE College of the Arts and The People’s Association, and founded the former Re:Dance Theatre. Currently a teacher with NUS Dance Synergy and Singapore Raffles Music College Dance Faculty, he also conducts regular classes with T.H.E Dance Company and T.H.E Second Company. As an independent dance artist, his works have been presented in various countries.
Huayi 华艺节 2019 The Tragedy of Haml...
“Li Liuyi is Asia’s most influential stage artist in the new century.”- Japanese contemporary theatre master Suzuki TadashiThe world-famous tale of vengeance and loyalty, brought to exciting life through a modern, Chinese adaptation by acclaimed director Li Liuyi, renowned for his ingenuity and brilliance in reinterpreting classics with a contemporary flair.Li’s thrilling production makes its overseas debut at Huayi, featuring a star-studded cast that includes actor Hu Jun (Red Cliff), stage veteran Pu Cunxin and actress Lu Fang, as well as costumes by award-winning Hong Kong art director and costume designer William Chang (In the Mood for Love, The Grandmaster) and renowned stage and lighting designer Michael Simon. This is a dynamic modern revival of Hamlet that is gripping from start to finish.Hamlet, the Prince of Denmark, returns home for his father’s funeral to find his mother married to his uncle. His father’s ghost appears and instructs Hamlet to avenge him. Hamlet struggles with his doubts about whether he can trust the ghost and if killing his uncle is the appropriate thing to do. Thus, begins Hamlet’s descent into melancholy, madness and death. Hamlet is a work of time-defying political and psychological commentary that has remained poignant and relevant even after four centuriesThe Tragedy of Hamlet, Prince of Denmark is a new Chinese translation of Hamlet, specially commissioned by the Royal Shakespeare Company (RSC) as part of the Shakespeare Folio Translation Project—with the aim of creating new accessible translations of the Shakespeare’s plays for Chinese audiences. Drawing on the expertise of the RSC and in the company of fellow theatre practitioners from the UK and China, translator Li Jianming delivers a nuanced script straight from the rehearsal room for a modern audience.Co-commissioned by Esplanade - Theatres on the Bay and Hong Kong Arts Festival, and produced by Beijing Li Liuyi Theatre Studio.About Beijing Li Liuyi Theatre Studio (China)Established in 2003, Beijing Li Liuyi Theatre Studio is a professional drama studio set up with the performance approach of “pure theatre”. Led by celebrated artistic director Li Liuyi, the studio seeks to promote the boundless possibilities of classical aesthetics; document the soul of the modern landscape and to live in the present.Beijing Li Liuyi Theatre Studio has produced various theatre works of different scales including, Zhuang Zhou Tests His Wife, Uncommon Mahjong, One Table and Two Chairs, Goodbye, Springtime in a Small Town and King Lear.In 2012, it launched the drama project “Li Liuyi • China Made”, with the aim of establishing an identity for Chinese drama as opposed to copycat productions of Western drama. Productions staged under the programme’s banner include three works of ancient Greek tragedy - Oedipus Rex, Antigone and Prometheus Bound. Other notable works include kunqu opera Tale of a Puppet and the new Peking Opera heroine trilogy – Lady General Hua Mulan, Liang Hongyu and Mu Guiying.The renowned Beijing Li Liuyi Theatre Studio has performed globally at international arts events including the Holland Festival, Europalia Arts Festival, Hong Kong Arts Festival and Toga Theatre.
Huayi 华艺节 2019 The Way of Zhuang Z...
“A flawless quick-paced production that shines with scintillating wit. The captivating storyline and playful dialogue is a strong testament to director Huang Chih Kai’s brilliance and capability.” – Veteran Taiwanese host Sam Tseng Kuo ChengHappiness is the absence of striving for happiness – Chinese Philosopher Zhuang ZiDo you know the ways of Zhuang Zi? Your chance of surviving this game might depend on it.Lured by the promise of a lucrative bounty, six clueless strangers – a mystery novelist searching for inspiration for his next big break; a teacher urgently needing medical funds for her daughter; an online influencer dreaming of superstardom, a scheming corporate executive plotting his next move; a blue-collared worker drowning in his mountain of debts and a wealthy young thrillseeker – signed up to participate in an escape room game. The only way out of the locked room is to decipher clues hidden in the teachings of Chinese philosopher Zhuang Zi.The seemingly safe game takes a sinister turn when a real gun is discovered. With the audience watching their every move and listening in to every discussion, dark secrets are revealed and masks are peeled away. Who will be the last one standing, to unlock the door and emerge the victor?A dark comedy that cleverly integrates philosophical and entertaining elements, the critically-acclaimed The Way of Zhuang Zi has taken Taiwan by storm and will make its overseas premiere in Singapore at Esplanade – Theatres on the Bay as part of Huayi 2019. Featuring a stellar cast that includes Taiwanese actors Liu Liang-Tso and Bobby Dou, this is a performance that will keep you at the edge of the seat, gasping in awe with every twist.
I WAS NOT READY DA (NC16)
There’s funny, and then there’s SA funny. From modest beginnings in Chennai, Aravind SA’s wit and self-deprecatory humour have conspired to make him a popular standup comedian not just in the South, but across the country. It was always on the cards, we suppose, given that his very first standup comedy video in 2013 went viral, resulting in a whole culture of people embracing the catchline, “I was not ready da”. No prizes for guessing what SA called his second show.In a society of engineers and doctors (if you’re from the South, you know what we’re talking about), perhaps Aravind’s biggest achievement is showing that a career can be made out of doing standup comedy too. It wasn’t easy though, given that the field wasn’t too encouraging of comedians from the South. Not too long ago, he began the standup revolution in South India at dingy pubs and sparsely filled clubs. As they say, good jokes, like viruses, are infectious, and once they went viral, before SA knew it, he was performing sold-out shows at fancy auditoriums.SA’s popularity isn’t just limited to India… mainly because Indians aren’t just limited to India. So, he’s toured the United States and performed 29 shows in over 25 cities.Where else are Indians at? Singapore? Australia? UK? Dubai? Yes, he’s performed to sold out shows in all of those places too.No surprises then when Amazon Prime (you have a good talent spotting team, Amazon!) picked SA to be among the 10 standup comedians whose shows it carried as one-hour specials. If you didn’t get enough of SA at the shows, you could now catch him on desktops, laptops, smartphones, tablets… you get the idea. His Amazon show was chosen by Film Companion to be among the top 4 standup specials to come out that year. Even the world-renowned Huffington Post decided to increase traffic to their page by sharing a snippet from SA’s show. You’re welcome, Huff Post.He’s a successful standup comedian. You know that. He’s an internet sensation. You know that too. He’s a proud Madrasi. If you didn’t know that, are you sure you caught his Amazon Prime show yet? What you likely didn’t know though is that he’s also a qualified filmmaker. Consider yourself warned, lest he suddenly burst onto the Tamil cinema scene with a film, and you say, “I was not ready da.”
Kanan Gill - Live in Singapore 2019
LA Comedy Live is excited to announce that one of India’s most popular comedians, KANAN GILL, will be making his anticipated return to Singapore on Feb 16, 2019, at SOTA Concert Hall!Kanan Gill’s latest special, ‘Teetar’ is a personal, observational and deeply stupid follow up to 2017’s Keep It Real. In this hilarious one hour show he juggles ideas from Julius Caesar’s death to marching to bands and his building societies.The show also explain what “teetar” means.ABOUT ARTISTEKanan Gill is an Indian stand-up comedian and YouTuber who rose to fame with the YouTube series, ‘Pretentious Movie Reviews’ where he reviews flawed yesteryear Bollywood films in a hilarious manner. His partner-in-comedy in running this widely popular series is his fellow stand-up comedian Biswa Kalyan Rath. The duo has stirred up a storm in the YouTube scenario in the Indian subcontinent with their over-the-top commentaries and super-funny personalities.“Hilariously relatable.” - Gulf NewsA software engineer by profession, Gill has found unbelievable fame in a totally unrelated field. As of today, he has quit his engineering job to focus fully on his career as a comedian, and divides his work between online and offline gigs. As of May 2017, this hugely popular comic star had over 502k subscribers on his YouTube channel ‘Ok! Gill,’ 343k followers on his Instagram account and 819k followers on Twitter.From a young age, Kanan Gill was a funny kid who loved to joke around and play pranks. However, born into a typical Indian family, there was no doubt in his mind that he would one day pursue a conventional career that would guarantee stability. After high school he chose to study computer engineering though he never lost his love for comedy. During his college days he became a part of comedy bands and spent his leisure time writing silly songs. Once he graduated, he took up a cushy job as a software engineer in Exeter Group Inc.“Kanan’s insightful, disciplined, affably absurd, resonating, and a great storyteller.”- MediumEven while working as a techie, his passion for comedy continued and he participated in a number of comedy competitions and won the Punchline Bangalore competition. Another win at the Comedy Store in Mumbai followed, giving Gill the confidence to quit his engineering job and focus entirely on developing his career as a comedian.During his early days as a comedian, Kanan Gill came across another budding comedian, Biswa Kalyan Rath. The duo teamed up and originated the YouTube series ‘Pretentious Movie Reviews’ where they review Bollywood films in their own funny and twisted ways. The reviewed some popular movies such as ‘Gunda,’ ‘Hum Saath Saath Hain’, ‘Prem Aggan’, and ‘Aap ka Suroor’ which earned them a large fan following in movie-crazy India.Their rising popularity in India soon gained them international notice as well and Gill was given a chance to work in an improvised sketch comedy show, ‘The Living Room,’ on the American channel Comedy Central. He also co-hosted the YouTube FanFest India and was one of the main personalities behind the YouTube Comedy Hunt. Ambitious to achieve even more, Kanan Gill ventured into Bollywood films in 2017 with a minor role in the Sonakshi Sinha starrer ‘Noor.’ In 2018, he was also the judge on Comicstaan, a comedic reality tv show.
Late Company (Advisory 16: Mature C...
Written by Jordan TannahillDebora and Michael’s dinner guests are late. About one year late. That’s because it’s taken all this time for the couple to even dare to come face to face with Tamara and Bill, and their teenage son Curtis - the bully they believe is responsible for the suicide of their own son Joel.For Debora and Michael, tonight is a nerve-wracking step towards coming to terms with their loss; for Tamara and Bill, it’s a meeting they’ve been dreading but never expected to ever happen; and for Curtis, it’s going to be the worst dinner of his life.Redemption, forgiveness and closure are on the menu, but as everyone takes a turn in the hot seat for their real or imagined role in the tragedy, painful accusations are served and shocking secrets are spilled. And all through dinner, the spectre of Joel looms over a night that will change everyone’s lives forever.Singapore has the third highest rate of bullying among youths globally, and the second highest in the world for cyberbullying. Pangdemonium’s Asian premiere of LATE COMPANY examines this scourge by holding up a mirror to our society and asking the urgent question: are we too late?Starring Janice Koh, Karen Tan, Edward Choy, Xander Pang and Adrian Pang.Directed by Tracie Pang.“Powerful, superb drama about the devastating aftershocks of cyberbullying.”- Time Out“Powerful. A gripping, devastating critique of societal and parental hypocrisy in the digital age.”- Radio Times“Superbly crafted. A gripping study of grief, guilt, and the impossibility of parenthood.”- The Stage“This dinner party from hell serves up the full gamut of human emotions. A terrific play. GO!”- The Time“Sucker punch of a play. Comic and excruciating, fizzes with authenticity. Utterly transfixing.”- The Telegraph“LATE COMPANY weighs heavily on your mind days after the performance. This is theatre in its purest form.”- The Independent
M1 Peer Pleasure Youth Theatre Fest...
WonderlandDevised and performed by: Anderson Secondary SchoolDirected by: Renee Chua Nadine is an outcast in school. She cannot pay for things. Her classmate, Charmaine, realises how Nadine’s world is totally different from hers. She goes down the rabbit hole with Nadine and discovers the secret machinery keeping generations of Nadine’s family financially strapped and "low-class".The GroundDevised and performed by: Anglo-Chinese School (Barker Road)Directed by: Iris Chia-KhanashatA single father is stuck in a strange place. A boy is about to take his PSLE exams. They meet at an intersection, a utopia where time and space suspends... or is this an amusement park with a hidden penalty? Is Hope a seed embedded in our hearts, or is it something we seek and unearth from the ground?
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